Joseph-Barnabé Saint-Sevin dit L'Abbé le Fils
French musician
You can help expand this article with text translated from the corresponding article in French. (April 2012) Click [show] for important translation instructions.
- View a machine-translated version of the French article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing French Wikipedia article at [[:fr:Joseph-Barnabé Saint-Sevin dit L'Abbé le Fils]]; see its history for attribution. - You may also add the template
{{Translated|fr|Joseph-Barnabé Saint-Sevin dit L'Abbé le Fils}}to the talk page. - For more guidance, see Wikipedia:Translation.
Joseph-Barnabé Saint-Sevin, dit L′Abbé le Fils (Agen, June 11th, 1727 – Paris, July 25th, 1803[1]) was a French composer and violinist. According to Sheila Nelson, "The very important work of L'Abbé le fils...put France in advance of the rest of Europe with regard to violin technique."[2]
He was an important personality in the French school of violin virtuosos from the eighteenth century. He was a composer and most memorably, author of a highly influential violin method, "the first substantial French violin method,"[3] of that time: Principes du Violon (1761). Additionally, he studied with Jean-Marie Leclair.[4][5][6]
He was the son of the cellist Philippe Saint-Sevin (l′Abbé cadet) and the nephew of Pierre Saint-Sevin (l′Abbé l′ainé).
References
- ^ Musicologie
- ^ Nelson, Sheila M. (2003). The Violin and Viola: History, Structure, Techniques, p.25. Courier. ISBN 9780486428536.
- ^ Neumann, Frederick (1983). Ornamentation in Baroque and Post-baroque Music, p.xv. Princeton. ISBN 9780691027074.
- ^ Randel, Don Michael (1999). The Harvard Concise Dictionary of Music and Musicians, p.361. ISBN 9780674000841.
- ^ Schoenbaum, David (2012). The Violin: A Social History of the World's Most Versatile Instrument, p.274. W. W. Norton. ISBN 9780393089608.
- ^ Gjerdingen, Robert (2007). Music in the Galant Style, unpaginated. Oxford. ISBN 9780199886104.
Authority control databases  | |
|---|---|
| International |
|
| National |
|
| Other |
|
- v
- t
- e
 | This article about a French musician is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
