Women in the Garden
Women in the Garden | |
---|---|
Artist | Claude Monet |
Year | 1866 |
Medium | oil paint, canvas |
Dimensions | 255 cm (100 in) × 205 cm (81 in) |
Location | Musée d'Orsay, France |
Identifiers | Joconde work ID: 000PE003967 |
[edit on Wikidata] |
Women in the Garden (French: Femmes au jardin) is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted en plein air; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work. The setting is the garden of a property he was renting. His companion and future wife Camille Doncieux posed for the figures. Monet finished the work indoors, and used magazine illustrations to render fashionable clothing.
Monet at this time was early in his career, experimenting with method and subject matter. His earlier paintings were successful at Paris Salons, but Women in the Garden was rejected in 1867 on the grounds of subject and narrative weakness. This piece is simply a work that was meant to fit within his theme: the interplay of light and atmosphere. His paintings established him as a leader emerging the impressionist movement. The Salon was also troubled by Monet's heavy brushstrokes, a style which would, of course, become one of the hallmarks of Impressionism. A judge commented, "Too many young people think of nothing but continuing in this abominable direction. It is high time to protect them and save art!"[1] The painting was purchased by fellow artist Frédéric Bazille to help support Monet at a time when he had no money.[2]
Although the Musée d'Orsay, the painting's owner, comments that "Monet has skilfully rendered the white of the dresses, anchoring them firmly in the structure of the composition", Christoph Heinrich, author of a Monet biography, notes how posterity has found the painting lacking. In this view, the figures appear poorly integrated into the scene, with the woman at right "gliding across the ground as if she had a trolley concealed beneath her dress".[3] The painting's treatment of light and shadow is lauded, however, and in this respect the work may have shown Monet where his artistic path lay.[3]
See also
References
Further reading
- Turner, Jane (2000). The Grove Dictionary of Art: From Renaissance to Impressionism. Macmillan. p. 163. ISBN 9780312229757. OCLC 43076942
External links
- Impressionism: a centenary exhibition, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on this painting (p. 135-139)
- v
- t
- e
- View from Rouelles (1858)
- Le Déjeuner sur l'herbe (Paris / Moscow) (1865–1867)
- A Cart on the Snowy Road at Honfleur (1865)
- Camille (1866)
- Women in the Garden (1866)
- Woman in the Garden (1866)
- Regatta at Sainte-Adresse (1867)
- The Beach at Sainte-Adresse (1867)
- Garden at Sainte-Adresse (1867)
- The Road in Front of Saint-Simeon Farm in Winter (1867)
- On the Bank of the Seine, Bennecourt (1868)
- L'Enfant a la tasse (1868)
- The Magpie (1868)
- Interior, after Dinner (1868-69)
- The Red Cape (1868–73)
- Bain à la Grenouillère (1869)
- Houses on the Achterzaan (1871)
- Windmill at Zaandam (1871)
- Impression, Sunrise (1872)
- Regatta at Argenteuil (c. 1872)
- Springtime (1872)
- The Seine at Rouen (1872)
- Boulevard des Capucines (1873)
- Lilac Bush in the Sun (1873)
- The Seine at Asnières (1873)
- Resting Under a Lilac Bush (1873)
- The Seine at Argenteuil (1873)
- Argenteuil Basin with a Single Sailboat (1874)
- The Grand Quai at Le Havre (1874)
- Snow at Argenteuil (1875)
- The Train in the Snow (1875)
- Woman with a Parasol – Madame Monet and Her Son (1875)
- A Corner in the Garden at Montgeron (1876)
- The Studio Boat (Le Bateau-atelier) (1876)
- La Japonaise (1876)
- Arrival of the Normandy Train, Gare Saint-Lazare (1877)
- Waves Breaking (1881)
- Beach in Pourville (1882)
- Portrait of Père Paul (1882)
- The Cliff Walk at Pourville (1882)
- Anglers on the Seine at Poissy (1882)
- Stormy Sea at Étretat (1883)
- The Valley of the Nervia (1884)
- Garden at Bordighera, Morning (1884)
- Haystack Near Giverny (1884)
- The Pyramides at Port-Coton, Rough Sea (1886)
- Study of Rocks; Creuse (1889)
- The Valley of the Creuse, Sunset (1889)
- Boating on the River Epte (1890)
- Champ d'avoine aux coquelicots (1890)
- Le Jardin de l'artiste à Giverny (1900)
- San Giorgio Maggiore at Dusk (1908)
- The Doge's Palace Seen from San Giorgio Maggiore (1908)
- Le Grand Canal (1908)
- Nymphéas en fleur (c. 1914–1917)
- Weeping Willow (1918)
- Le Bassin Aux Nymphéas (1919)
- Water Lilies (1919)
- Gare Saint-Lazare (1877)
- Cliffs at Étretat (1885–1886 - Massachusetts / Moscow)
- Haystacks (1890–91)
- Poplars (1891)
- Rouen Cathedral (1892–1894)
- Mount Kolsaas (1895)
- Charing Cross Bridge (1899–1904)
- Waterloo Bridge (1900–1904)
- Houses of Parliament (1900–1905)
- Le Grand Canal (1908)
- Le Palais Ducal (1908)
- San Giorgio Maggiore (1908–1912)
- Water Lilies (1897–1926)
- Camille Doncieux (first wife)
- Alice Hoschedé (second wife)
- Jean Monet (son)
- Michel Monet (son)
- Suzanne Hoschedé (step-daughter)
- Blanche Hoschedé Monet (step-daughter and daughter-in-law)
- Theodore Earl Butler (son-in-law, married Monet's step-daughters, Suzanne and Marthe)
- Jacques-François Ochard (teacher)
- Eugène Boudin (teacher)
- Ernest Hoschedé (patron)
- Paul Durand-Ruel (dealer)
- The Improvised Field Hospital (1865 painting)
- A Studio at Les Batignolles (1870 painting)
- Claude Monet Painting in His Garden at Argenteuil (1873)
- Claude Monet Painting in his Studio (1874 painting)
- Portrait of the Painter Claude Monet (1875 painting)
- Monet: The Mystery of the Orangery (2000 video game)
- The Impressionists (2006 series)
- Pays des Impressionnistes
- Monet (crater)